Psalms 6
John Gill - Exposition - John Gill
Other commentaries on this verse
- John Gill - Exposition - Psalms 6:1
- John Gill - Exposition - Psalms 6:2
- John Gill - Exposition - Psalms 6:3
- John Gill - Exposition - Psalms 6:4
- John Gill - Exposition - Psalms 6:5
- John Gill - Exposition - Psalms 6:6
- John Gill - Exposition - Psalms 6:7
- John Gill - Exposition - Psalms 6:8
- John Gill - Exposition - Psalms 6:9
- John Gill - Exposition - Psalms 6:10
- Matthew Henry - Complete Commentary - Psalms 6
- Spurgeon - Treasury of David - Psalms 6:1
- Spurgeon - Treasury of David - Psalms 6:2
- Spurgeon - Treasury of David - Psalms 6:3
- Spurgeon - Treasury of David - Psalms 6:4
- Spurgeon - Treasury of David - Psalms 6:7
- Spurgeon - Treasury of David - Psalms 6:9
- Spurgeon - Treasury of David - Psalms 6:10
- Spurgeon - Verse Expositions - Psalms 6:1
- Spurgeon - Verse Expositions - Psalms 6:2
- Spurgeon - Verse Expositions - Psalms 6:3
- Spurgeon - Verse Expositions - Psalms 6:4
- Spurgeon - Verse Expositions - Psalms 6:5
- Spurgeon - Verse Expositions - Psalms 6:6
- Spurgeon - Verse Expositions - Psalms 6:7
- Spurgeon - Verse Expositions - Psalms 6:8
- Spurgeon - Verse Expositions - Psalms 6:9
- Spurgeon - Verse Expositions - Psalms 6:10
INTRODUCTION TO Psalms 6
To the chief Musician on Neginoth upon Sheminith, a Psalm of David. What is designed by "the chief musician", and what is meant by "neginoth", have been observed preciously, [See comments on Psalms 4:1]. As for "sheminith", it seems to be one particular sort of the "neginoth", or stringed instrument, which this man had the care of; see the title of Ps 12:1: which most of the Hebrew writers (y) understand of the harp of eight strings, to which this psalm was set; and which, from the number of its strings, was called "sheminith", which signifies "the eighth": and this receives confirmation from 1 Chronicles 15:21. The eighth string was added to the harp by Simonides, according to Pliny (z): but if such an harp is here meant, this refutes it, for David lived long before Simonides. Though some (a) have thought it refers to a poem or song of eight notes, to the tune of which this psalm was sung; or to the eighth note, which was grave, and which we call the bass. As for the eighth day of circumcision, of which some Jewish writers mystically interpret it; or the eighth, that is, the first day, or Lord's day, to which some of the ancient Christian writers refer it, or the eighth age, or millennium, as Theodoret; these can by no means be admitted of. The occasion of it was either some bodily disease the psalmist laboured under, or some distress of soul, on account of sin; and the rather this seems to be the case, seeing the psalm begins with the same words as
Psalms 38:1, in which the psalmist so much bewails his iniquity. Some have thought it was drawn up for the use of any and every sick person; and others say it was written on the account of Israel in captivity, who were then as sick persons (b): but rather the occasion of it was bodily sickness, inward guilt of conscience for sin, and distress by enemies; as appears from, Psalms 6:3.
(y) Targum, Jarchi, Kimchi, & Ben Melech in loc. (z) Nat. Hist. l. 7. c. 56. (a) In Aben Ezra in loc. (b) Vid. Kimchi & Aben Ezra in loc.